Imaging Monitor

The ideal monitor for a photographer: what it is?

Photography is a constantly evolving industry in which competition is primarily associated with equipment and technology. At the same time, few people think about the right choice of such a really important “detail” for editing and printing photos as a monitor. When it comes to true professionalism, you need to think globally and comprehensively. The quality of the workflow depends on the monitor. and to a much greater extent than most of us think. So, how do you choose a monitor that can satisfy all the requirements of a photographer for editing and printing photographs? There are many factors to consider, but all of them are closely related to size, resolution, contrast, image quality and some other features of different types of monitors. Below are seven questions that will tell any photographer what to look for when choosing a monitor.

It doesn’t matter who chooses a monitor: a professional photographer or just a person passionate about photography. the first thing that comes to mind when choosing a monitor is, of course, size. Previously, monitors with a diagonal of 19 and 21 inches were especially popular, but now 27-and 32-inch panels are the most non-proliferation. From a photographer’s point of view, working with images on a large screen provides a much higher degree of satisfaction from the process itself. In addition, the large screen accommodates more windows, which also improves productivity when using professional imaging software. So taking the above, is “bigger is better” really when it comes to monitor size? Unfortunately, this is not so. The optimal distance between the user and the monitor is directly proportional to the size of the monitor. Ideally, this distance should be 1.5 times the monitor size (viewport diagonal). In other words, the larger the monitor, the greater the distance from it to the user should be. If the user is too close to the monitor, the image on the screen will appear blurry, which, at a minimum, will cause discomfort, and ultimately adversely affect vision. On the other hand, a user who is too far from the monitor will simply not be able to distinguish image details or even text. Thus, when it comes to choosing a monitor, it turns out that “more” is not always “better.” Perfectly sized monitor for optimal viewing and viewing experience with maximum viewing comfort.

Among photographers, 27-inch monitors are the most common. This size is also recommended by experts. This choice is due to two reasons. First of all, 27 inches is large enough to provide the user with optimal comfort while working and viewing images. It is also perfect for those cases where users use professional software for image processing: the overall work efficiency is significantly increased. In addition, if two images are simultaneously opened on a 27-inch monitor, the area of ​​each of them will be large enough to easily process and compare them. Secondly, the optimal distance between a 27-inch monitor and the user is 100 cm, and it is at this distance from monitors that most of us work when processing images.

The advantage of large monitors is their ability to fully display all open windows and other content, which increases user satisfaction when viewing images. Smaller monitors have lower native resolution and greater pixel spacing, which forces the user to constantly scroll or drag items on the screen to find the desired content or function.

Most monitors have a 16: 9 aspect ratio (the ratio of the monitor width to its height). A 16 unit wide x 9 height monitor is considered wide and has an aspect ratio of approximately 1.78: 1. Compared to traditional 4: 3 monitors (aspect ratio 1.33: 1), 16: 9 monitors are more in line with the anamorphic ratio (2.39: 1) used in the film industry. Another advantage of widescreen monitors, in addition to a full-fledged field of view for watching movies, is the ability to display all the necessary windows and toolbars at once by users who use special software to edit photos (for example, Adobe Lightroom and Photoshop). This greatly reduces the need for scrolling and constant switching between windows and allows full use of the entire screen area.

The advantage of working with a 16: 9 monitor is the ability to fully utilize the display when working with photo editing software (such as LR or PS), which in turn contributes to increased work efficiency.

The main element of the monitor is its liquid crystal display or LCD panel. It is the LCD display that is responsible for reproducing content and color reproduction. At the same time, different types of LCD displays have their own pros and cons, which significantly affect the final result and the fidelity of the picture. In general, there are three types of LCDs on the market today: TN (Twisted Nematic Liquid Crystals), VA (Vertical Alignment) and IPS (Planar Switching). Features of these three types of matrices are described in detail below.

IPS monitors provide 178 ° wide viewing angle and high color accuracy, making them the number one choice for many professional photographers.

The main advantage of matrices made using TN technology is their low cost. In view of this, TN matrices are usually used in solutions for home or other non-professional use. The second advantage of TN-matrices is a low response time, and therefore most of the simplest monitors for professional gamers are made on the basis of TN technology. At the same time, however, the performance of the TN matrix in terms of color rendering, contrast and viewing angle is relatively weak. In particular, due to the small viewing angle, the image when viewed from different angles on a TN monitor looks different (a phenomenon known as color shift). In view of this, TN monitors cannot be recommended for image processing.

The main advantage of VA technology is the high contrast between white and black. In particular, the VA matrix provides the ability to reproduce unrivaled deep blacks. In addition, the 8-bit VA matrix provides 16,770,000 colors. Colors (8 bits for red, green and blue), which are significantly superior to the color reproduction and color transitions of the 6-bit TN matrix, which can output only 260,000 colors. However, VA-matrices have their drawbacks, two of the most significant of which are the long response time and the viewing angle is larger in comparison with TN-matrices, but smaller than that of matrices made using IPS technology.

The IPS technology matrix is ​​the most common type of LCD in professional imaging monitors. The main feature of IPS-matrices is the viewing angle of 178 °, which ensures consistent color when viewing images from any angle. Thus, this technology effectively combats color shift. one of the most common problems of TN matrices. In addition, some of the more recent IPS-matrices used in professional monitors for image processing provide 10-bit color depth and are capable of transmitting up to 1,070,000,000. Colors with coverage of 99% of the AdobeRGB color space, which, in general, guarantees more than realistic reproduction colors. It is for these reasons that most monitors designed for professional work with images are equipped with IPS matrices.

Most high-end professional monitors are equipped with 10-bit IPS panels capable of reproducing over 1 billion colors for maximum color fidelity.

Resolution means the number of “dots” that a particular monitor can reproduce. If you look at the LCD monitor through a macro lens or a magnifying glass, you can see that it is composed of a large number of “dots”. All images and texts displayed on the monitor are composed of THESE “points”. Thus, the more “dots” are in a given area of ​​the screen, the more detailed and clearer the image. If a monitor is labeled Full HD. which is self-explanatory for most people. that means the monitor can accommodate 1920 dots (pixels) in width and 1080 dots (pixels) in height. Multiplied the indicated numbers by each other, we get the monitor resolution. 2073600 points.

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Comparison of QHD, UHD, FHD and HD. 4K UHD monitors deliver richer detail and better color than Full HD monitors.

PPI, or “Pixel Per Inch”, is how many “dots” are there per inch. Basically, PPI and resolution are pretty much the same thing. The only difference between them concerns the unit of area: in the first case, it is an inch, and in the second, the entire surface area of ​​the monitor. Likewise, the higher the PPI, the clearer the monitor can reproduce the image. The equation for calculating PPI is as follows:

PPI = (horizontal resolution ^ 2 vertical resolution ^ 2) ^ 0.5 / monitor size (inches)

This equation shows that PPI is determined by the size and resolution of the monitor, and that a large monitor does not always have a high PPI. For example, imagine two different monitors with the following parameters:

The PPI of a 27-inch monitor with an aspect ratio of 16: 9 and a resolution of 1920 × 1080 is 82.

The PPI of a 24-inch monitor with an aspect ratio of 16: 9 and a resolution of 3840 × 2160 is 184.

It is not difficult to guess which of the two monitors the image will be clearer. Photographers are advised to select professional monitors with a PPI of at least 100 to provide a high level of accuracy sufficient for editing image details.

Screen surface

There are three options for the display surface: glossy, matte and semi-matt. Glossy monitors provide a brighter picture, richer colors and good contrast (that is, they reproduce blacks better). The disadvantage of a glossy surface is its reflectivity. All objects are reflected on the screen, like in a mirror, including ourselves and light sources. lamps, sun rays, and so on, which greatly interferes with work and creates an additional burden on the eyes.

Matte screens slightly muffle colors and reduce contrast, but provide a clear picture without harsh glare. Another disadvantage of the matte surface is the “crystalline” effect. True, not all people can notice it.

The trade-off is a semi-matt (or semi-gloss) finish. It offers better contrast and color rendering than a matte surface, AND does not produce the glare inherent in a glossy surface. And yet the semi-glossy surface does not have a “crystalline” effect.

How to choose a monitor for a photographer

What should be a monitor for a photographer: what matrices and diagonals are better than a good semi-glossy surface and how to check the brightness of the display.

The editors of the magazine asked our friend, Alexey Frolov, a professional photographer and monitor calibration specialist, to tell us about how to choose a monitor.

The result of a photographer’s work depends on many things, including the quality of the monitor on which the images are processed. The task of your display is to accurately convey the colors, light, mood of the frame, conceived and shot by the photographer. Hence. and the special requirements for the characteristics of such a monitor.

We will analyze the main characteristics of the monitor that you need to study for a photographer.

Color gamut and color depth

For professional work, the color gamut is important. For graphics, over 95% sRGB coverage is considered sufficient. Monitors with a lower percentage give a faded, desaturated image.

Expensive monitor models are able to come close to Adobe RGB coverage, which is much wider than sRGB. However, such a wide color gamut is required only in certain areas of work and photographers, as a rule, not only do not need it, but can also be harmful. The fact is that images on monitors with extended color gamut in programs, and not supporting color management, look more saturated. Therefore, there is a great risk of making a picture on it that will look pale on standard monitors.


Very old CRT monitors Flickered, so tire our eyes. It may sound strange, but LED backlighting can be dead people too. The thing is that the brightness of the monitor is controlled NOT by the voltage level on the backlight LEDs, but by pulses (PWM). We may NOT notice this flicker, but it has a detrimental effect on eye health. And, the more we turn down the brightness, the more this effect will manifest itself.

Imaging Monitor

Some time ago, manufacturers began to produce backlights using Flicker-Free technology, i.e. no flicker. Brightness control in them is carried out either only by voltage, or by voltage and PWM simultaneously. This allows you to reduce flicker to an imperceptible and eye-safe level, or even completely eliminate it. Now there are more and more monitors with this technology.

backlight uniformity

Relative uniformity of the backlight is important for comfortable work and correct post-processing. In order for the screen to be evenly illuminated, a diffusing glass is located between the LEDs and the matrix. If it is not uniform enough, then large bright or dark spots may be noticeable on the working screen.

In addition, the uniformity of the illumination is influenced by how accurately the distances between the diodes scattering the glass and the matrix are observed. Because of this, even monitors from the same batch have different backlight uniformities. That is why it is very important when buying to turn on the monitor and check how evenly the screen is illuminated in it.


Monitor size is important, but it’s not worth the kink. First, the larger the display, the more expensive it is. Secondly, the larger it is, the higher the resolution and, accordingly, the higher the load on the processor and card. However, if you have a powerful card and the price is NOT a problem, then it is quite possible to take a 30-inch monitor.

A small screen is also NOT an option: it will not be very convenient to work behind it. The best option for comfortable work is a monitor with a diagonal of 24-27 inches with a screen resolution from 1920 × 1080 pixels to 4K. Naturally, the larger the diagonal, the higher the resolution should be.

Backlight type

Speaking about matrix types and color gamut, it is necessary to mention backlighting. By themselves, the pixels on the matrix do not glow, so monitors use different types of backlights.

Previously, cold cathode lamps (CCFL) were used to illuminate matrices, which are akin to the fluorescent lamps we are used to. The main disadvantage of such a backlight is its fragility. The phosphor in lamps quickly loses its properties and lamps degrade to the point of complete loss of the blue part of the spectrum. Monitors with CCFL-backlit are not available now, but they can still be found on the secondary market.

In modern monitors, light-emitting diode (LED) backlighting is installed, which also can be different. Its most common type is W-LED, i.e. White LED. Do not look at the word White, the LEDs in this backlight are NOT white, but blue. The light emitted by them is transmitted through yellow phosphorus, which provides a white glow. This type of backlighting is cheaper than the others and, at the same time, allows you to get a color gamut very close to 100% of the sRGB space. There are also drawbacks to such backlighting, and the main one is a pronounced bluish tint (which, by the way, tires the eyes and adversely affects our health). And, the cheaper the matrix, the more noticeable this drawback will be.

In order to expand the color gamut, manufacturers began to use RGB-LED backlighting, in which there are LEDs in three primary colors: red, green and blue. The color gamut in such monitors almost reaches Adobe RGB. However, LEDs of different colors degrade at different rates, and monitors lose their properties almost as quickly as older lamp-backlit monitors.

GB-LED backlighting became a solution to this problem. It contains green and blue LEDs, the light of which is transmitted through a red phosphor. Such backlighting is NOT at all inferior to RGB-LED in terms of color gamut width, but noticeably surpasses it in terms of durability and energy efficiency. If you know for sure that you will work with an extended color gamut, then you should choose a monitor with a GB-LED backlight.

Matrix type

Today on the market there are displays with three main types of LCD matrices: IPS, TN and VA.

Inexpensive and faster matrices like TNfilm (or simply TN) are better suited for dynamic computer games where the refresh rate is important. And for working with photography and graphics, such matrices are unsuitable, because they have the worst color rendering and extremely low viewing angles: they will distort the color when viewed even at a slight angle (especially vertically).

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VA matrices (MVA, PVA) represent a compromise between two options: they are more expensive than TN, but they also offer a better picture quality. These matrices are better than IPS in terms of price and contrast, but lose to them in color reproduction.

As photographers, we are interested in monitors with IPS-type matrices (the same type includes SFT, PLS, IGZO and AHVA matrices). They have some of the best performance in terms of color rendering, color gamut and viewing angle, but are slightly inferior to the second types in terms of contrast and response time. Don’t look at these drawbacks, a monitor with such a matrix is ​​ideal for photographers and all professionals who work seriously with graphics. Everything further in the article will concern monitors with these types of matrices.

It should be noted that based on all three technologies, there are a number of varieties. The most common today is AH-IPS. It has increased color gamut and brightness. Among the IPS subtypes there are both budget (but suitable for amateur and semi-professional use in photography) and expensive professional matrices.

There is another type of matrix that has already managed to gain a foothold in smartphones and is gradually trickling into the computer monitor market. This type is called OLED. Within the framework of this article, we will not consider it, since it still has a number of shortcomings, which make it unsuitable for use in the field of working with graphics.

Color depth

If the gamut is the range of colors that the monitor can display, then the color depth is the gradation of the range. All IPS monitors can provide 8-bit depth per color component, which corresponds to 16 million colors. professional and expensive monitors have 10-bit depth and are capable of displaying over a billion colors. Most of them, in fact, are 8-bit, and the expansion of the color depth to 10 bits is done with the help of FRC technology.

You can only take advantage of the high color depth when the monitor is connected to a computer via DisplayPort, since HDMI and DVI transfer no more than 8 bits per color component. Don’t look at the seeming redundancy of 10-bit depth, it can provide the smoothest grayscale and accurate color detail that is often required in professional photographic work.

By the way, there are very cheap IPS-matrices, which are often installed in laptops. Similar matrices are 6-bit, extended to 8-bit depth using the same FRC technology. The quality of displaying gradients in such matrices is very mediocre, and some people are able to notice a subtle but annoying flicker of some colors.

LG enters the medical imaging market

29 November, 2016, Moscow. LG Electronics | ‘; return false; “style =” color: # 666; “74
Medicine and Pharmaceuticals Trade Services and services

New Monitors and New Advanced Radiography Devices Was Presented This Week at RSNA® 2016 Annual Meeting of the Radiological Society of North America in Chicago.

LG 8MP Clinical Monitor

The LG 8MP Clinical Monitor is a 27-inch, 3840 x 2160-pixel IPS monitor designed to enhance hospital staff efficiency by streamlining workflows and multitasking. In addition to increased brightness levels, this monitor provides professionals with wide viewing angles, minimal color shift, and accurate images. The monitor complies with the Medical Image Formation, Transfer, and Storage (DICOM) standard, which means that grayscale levels will be corrected to maintain image accuracy. Precisely calibrated to ensure consistency between multiple devices, the monitor features backlight stabilization technology to ensure stable brightness levels. Dynamic sync mode reduces input lag, while safe flicker and read mode settings help reduce eye strain on doctors and nurses working for long periods of time.

LG 8MP Surgical Monitor

The LG 8MP 27 “Surgical Monitor has been designed for a wide range of applications in the operating room. In particular, surgeons who use minimally invasive surgical techniques will benefit from accurate observation on the wide, high-precision LG monitor. The unprecedented clarity of the LG 8MP panel helps doctors perform technically demanding procedures, and the monitor’s IPS technology allows multiple doctors to view the monitor from different angles with minimal color shift. With brightness up to 800 nits, the LG Surgical Monitor is ideal for bright operating rooms. This monitor covers over 99 percent of the sRGB color space with additional deep red space, making it easier for clinicians to distinguish between different types of tissue and blood vessels.

LG Digital X-ray Detector for Radiography

In today’s hospitals, medical technology that is portable, lightweight and durable is the key to effective patient care. LG’s DXD Digital X-ray Detector, unveiled at RSNA 2016, produces high-quality radiographic images in seconds using 16-bit image processing and a pixel pitch range of less than 127 microns, creating super-high-resolution images for radiographers and radiologists to quickly and accurately identify problems with health. Magnesium and carbon fiber element makes the LG DXD detector suitable for patient care in a variety of healthcare settings, and IP41 water and dust resistance helps ensure optimal performance even when the detector is in contact with powders or liquids.

“LG’s entry into the medical imaging device market is a bold new step in our strategy to expand LG’s position in the B2B market,” said Brian Kwon, President, LG Home Entertainment. “As a world leader in premium displays, we are confident that LG technology will make a meaningful contribution to the development of hospitals and other healthcare facilities by improving the accuracy, quality and efficiency of diagnostic procedures.”.

RSNA. is an association of more than 54,000 radiographers, radiation oncologists, medical physicists and related scientists promoting excellence in patient care and health care through education, research and technological innovation ( LG’s new medical imaging devices are on display for the first time at RSNA 2016, which runs until December 2. Clinical and surgical monitors will hit key markets shortly thereafter. LG DXD detector will be on sale in 2017.

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Practical advice for choosing

The most favorable for working with photography are monitors with an IPS matrix. It is she who provides the correct color reproduction. It is better to avoid cheap models with TN, PVA and MVA matrices. For indoor work, when the monitor is located near a window or second light sources, choose a screen with a matte finish. At the same time, if you need the maximum brightness of the picture and it is possible to adjust the illumination of the room, you can opt for a glossy one. The optimal monitor size is at least 24 inches.

Color gamut and number of colors are the most important metrics

Brightness and contrast

Working with photos and images depends a lot on THESE parameters. The first of them displays the amount of light emitted by the surface and the second is determined by the ratio between maximum and minimum brightness, when viewed on a black and white background.

Less eye fatigue when working with monitors with a matte screen surface

Rating of popular models. Matrix type

The parameter that you should pay attention to first. All other characteristics depend on it. Matrices of varying complexity are used for each type of monitor. LCD monitors are as follows:

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The first type is equipped with the simplest matrix, which is characterized by the fastest possible response, i.e., image update. At the same time, this outdated model has a number of disadvantages. TN-matrix has a small viewing angle, poor color reproduction, low contrast. One of the main disadvantages is the impossibility of high-quality display of black color.

The monitor’s IPS matrix is ​​capable of effectively reproducing depth in the sRGB color space. It has a wide angle, reaching up to 140 0. To improve the performance of this type of matrix, upgrades are being made to reduce the response time (H-IPS), increase the contrast level, expand the viewing angle and brightness (AFFS). All popular equipment manufacturers regularly carry out activities to improve IPS matrices.

Compromise MVA technology, makes it possible to see deep blacks, due to good contrast. The viewing angle here reaches 170 0 Of the minuses, we can note the lack of detail in the shadows, which depends on the viewing angle and color balance.

Monitor for convenient work of the photographer: basic parameters, recommendations for choosing, rating

  • Color gamut and number of colors
  • Matrix type
  • Brightness and contrast
  • What else should you pay attention to?
  • Practical advice for choosing
  • Popular models rating
  • How to choose a monitor for a photographer:

BenQ GW227OH

High-quality screen with a diagonal of 21.5 and A-MVA matrix. A device with a fairly wide view, it is characterized by high image contrast and improved white balance. There is an option to manually adjust the color rendition. This is convenient if you have to work under conditions of changing light sources (lamps with lamps of different temperatures, the sun). Comfort for vision, during long-term operation provides a special mode GW2270H.

Color gamut and number of colors

These parameters are the most important when choosing a screen. Color gamut is a metric that defines the range that a monitor can display. The higher the value, the clearer and more saturated colors appear on the screen. The term “number of colors” characterizes the number of shades between two adjacent in the spectrum. A larger value of the parameter allows you to “Smooth” this difference.

The colors reproduced by the computer screen are divided into a certain number of gradations. It is possible to set a specific color in a specific gradation, which means that with an increase in the color range, the difference between the tones adjacent in the spectrum also grows in addition to the number of colors. A large gap between the first and second indicators, leads to the appearance of transverse stripes on a smooth gradient.

The optimal monitor size is at least 24 inches

ASUS VX239H. BenQ BL2411PT

Versatile 24-inch model, well suited for a variety of purposes, including image processing. The built-in IPS matrix ensures efficiency. Three inputs are supported, including HDCP. There is an energy saving function, as well as a periodic reminder to GIVE your eyes a rest. Working with photos is made easier by good color rendering, contrast, no glare and backlight flicker, and even blacks. Nice design complements the pictorial, intuitive menu.

Rating of the TOP 10 best monitors for photographers in 2020

Place Name Price
TOP 5 best monitors for photographers with IPS matrix
1 DELL P2418D 23.8 “ Find out the price
2 Xiaomi Mi Display 23.8 “ Find out the price
3 LG 29UM69G 29 “ Find out the price
4 AOC 24V2Q 23.8 “ Find out the price
five Acer Nitro VG270UPbmiIPx 27 “ Find out the price
Top 5 best monitors for photographer with flicker-free backlight
1 DELL P2419HC 23.8 “ Find out the price
2 PhilIPs 243V7QJABF 23.8 “ Find out the price
3 AOC Q3279VWFD8 31.5 “ Find out the price
4 PhilIPs 276E8VJSB 27 “ Find out the price
five Acer Nitro VG270UbmiIPx 27 “ Find out the price

The best monitors for photographers with an IPS matrix

AOC 24V2Q 23.8 “

This device has established itself as an elegant, ultra-thin, frameless and widescreen monitor for watching movies, playing games, working.

Equipped with a modern IPS panel for vibrant colors and wide viewing angles.

Therefore, the image is always displayed clear and magnificent.

FreeSync technology speeds up the graphics workflow, and the frameless and lightweight design fits perfectly into any decor.


  • resolution. 1920 × 1080 (16: 9);
  • backlight type. WLED;
  • brightness. 250 cd / sq. m;
  • vertical and horizontal field of view. 178 degrees;
  • inputs. HDMI 1.4, DisplayPort 1.2, output. to headphones;
  • power consumption during operation. 18 W, standby mode. 0.50 W, sleep mode. 0.50 W
  • dimensions. 53.7×42.3×18 cm;
  • weight. 3.15 kg.


  • blue filtering;
  • image quality;
  • good set of settings;
  • color rendering;
  • slim and frameless design.


  • there is a wall mount;
  • unregulated stand height;
  • poor matrix fixation.

LG 29UM69G 29 “

Widescreen monitor for work and play. The screen has an anti-reflective coating, good viewing angles of 178 degrees vertically and horizontally.

The main differences are several connectors for connection (HDMI 1.4, DisplayPort 1.2, USB. Headphones, USB Type-C), built-in stereo speakers for 2 and 5 W, function of variable refresh rate FreeSync.

Unique feature. 1 ms Motion Blur Reduction for enhanced clarity in action scenes.

Achieved image clarity, color reproduction, stabilization of SEPARATE elements.


  • resolution. 2560 × 1080 @ 75 Hz (21: 9);
  • backlight type. WLED;
  • brightness. 250 cd / sq. m;
  • power consumption during operation. 35 W, standby mode. 0.50 W, sleep mode. 0.30 W
  • standards. PlugPlay: DDC / CI;
  • dimensions. 70.3×41.5×20.4 cm;
  • weight. 5.50 kg.


  • excellent color rendering;
  • lack of glare;
  • speakers;
  • screen size;
  • fast matrix;
  • brightness control.


  • non-adjustable stand;
  • low quality glossy plastic;
  • pixels are viewed.

Xiaomi Mi Display 23.8 “

Widescreen monitor with anti-glare coating, 8-bit matrix color depth, WLED backlight.

These are good indicators for high-quality photo processing. The only drawback of the model is the presence of 1 HDMI 2.0 connector.

Introduced Low Blue Light function to filter blue color.

In terms of color rendition and viewing angle, the IPS matrix meets.

The user sees the details from a completely different side. At the same time, individual elements, defects, nuances in the images are noticed.


  • resolution. 1920×1080;
  • brightness. 250 cd / sq. m;
  • response time. 6 ms;
  • vertical and horizontal field of view. 178 degrees;
  • includes stand, power cable, HDMI cable;
  • dimensions. 53.8×41.8×1.8 cm;
  • weight. 4.20 kg.


  • good viewing angles;
  • design;
  • build quality and materials;
  • matte finish;
  • great graphics.


  • mediocre matrix;
  • insufficient color rendering;
  • one connector.

AOC Q3279VWFD8 31.5 “

Sleek, ultra-thin, frameless and widescreen monitor for watching movies, playing games, working.

Equipped with a modern IPS panel for vibrant colors and wide viewing angles.

Therefore, the image is always displayed clear and magnificent.

Additional Feature. Flicker-Free Flicker-Free WLED Lighting.

FreeSync technology speeds up the graphics process, there are inputs for connecting other gadgets, headphone output.


  • diagonal. 31.5 “;
  • resolution. 2560 × 1440 (16: 9);
  • vertical and horizontal viewing angles. 178 degrees;
  • power consumption during operation. 45 W, standby and sleep modes. 50 W each
  • dimensions. 73×42.6×15.3 cm;
  • weight. 7 kg.


  • a large set of colors;
  • good color calibration;
  • there are highlights;
  • fast matrix;
  • excellent color reproduction and brightness;
  • eye protection.


TOP 10 best monitors for photographers: rating of 2020 and which one to choose for processing photos with an IPS matrix

The result of photo processing depends on many things.

A well-chosen monitor will become a real photographer’s assistant.

The main tasks of the display are the most accurate reproduction of color, light, mood, ideas of the master.

Hence. and the special requirements that are imposed on the characteristics of such a technique.

The article discusses the criteria for choosing a monitor, popular models, their advantages and disadvantages.

How to choose a monitor for a photographer?

DELL P2419HC 23.8 “

An excellent model for working with programs for processing photos, images. Also, a widescreen monitor is great for games, viewing. films. There is LED backlighting with technologies against Flicker-Free.

In addition to high-quality color reproduction, users note the presence of many connectors for connecting other devices.

The model is endowed with Energy Star, the function of reducing the blue color, height adjustment and rotation of 90 degrees, color calibration.


  • resolution. 1920 × 1080 (16: 9);
  • brightness. 250 cd / sq. m;
  • vertical and horizontal field of view. 178 degrees;
  • power consumption during operation. 18 W, standby mode. 0.30 W, max. consumption. 119 W;
  • mounting type. wall, 10×10 cm;
  • dimensions. 53.8×35.6×16.6 cm.


  • the ability to connect to various devices;
  • excellent color rendering;
  • fast matrix;
  • rotating stand;
  • picture detail.